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By the time she was 24, Virginia Woolf had suffered a series of devastating losses that later she would describe as sledge-hammer blows, beginning with the death of her mother when she was 13 years old and followed by those of her half-sister, father and brother. Yet vulnerable as she was (skinless was her word) she began, through these years, to practise her art - and to discover how it could serve her. Ultimately, she came to feel that it was her shock-receiving capacity that had made her a writer.
- Sales Rank: #3364894 in Books
- Published on: 2002-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.60" h x .87" w x 5.79" l, .90 pounds
- Binding: Hardcover
- 224 pages
From Publishers Weekly
As the daughter of archetypal Victorian parents and Freud's first English publisher, Woolf has often been a posthumous analysand; but among her chroniclers, Dalsimer, a clinical psychologist and faculty member of two Ivy League universities, may have the best credentials for putting her on the couch. "This is not a biography," Dalsimer warns; it is, instead, an exploration of "the ways that writing served Virginia Woolf" throughout her difficult life, and particularly in her "adolescence and young womanhood." Approaching Woolf through her juvenilia, diaries, letters, criticism and novels, Dalsimer (Female Adolescence: Psychoanalytic Reflections on Literature) traces both her artistic apprenticeship and her psychological narrative, placing Woolf's introspective observations alongside her early work from Jacob's Room to A Room of One's Own and amid plenty of analytical commentary. While Woolf claimed that in her autobiographical To the Lighthouse she had "done what psychoanalysts do for their patients," Dalsimer draws out the book's psychology and Woolf's relationship to her deceased parents, and shows the matter to be much more complicated. Dalsimer also demonstrates, through Woolf's later letters and essays, that her affectionate, influential and overbearing father and her self-sacrificing, distant and tragic mother were instrumental in forming her creative character. Woolf's mental illness (which ultimately led to suicide) also receives understated, careful consideration. Dalsimer's clinical objectivity may be more notable than her line-by-line literary criticism, but she elegantly explains how Woolf's imagination, often subsumed in tragedy, could still find pleasure in life's daily rhythms, and how writing "consoled and sustained her as much as it was possible for her to be consoled or sustained."
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Columbia University psychologist Dalsimer (Female Adolescence: Psychoanalytic Reflections on Literature) here uses Virginia Woolf's early writing to analyze how she overcame the loss of her parents and siblings to death and marriage by "becoming a writer." Taking a psychoanalytic approach, Dalsimer focuses on the journals, letters, and reviews Woolf wrote between the ages of nine and 25 to explicate this process. She also incorporates Woolf's first published book, The Voyage Out, the essay "On Being Ill," later journal entries, and To the Lighthouse into her study. Dalsimer interprets the role of Woolf's journals during her developmental years, taking an interest, as Woolf did, in the contrast between current impressions of an event and the memory of it. She focuses on Woolf's relationships with her mother and father as depicted in her early writings and on the sometimes hostile impressions she gave of them as an adult. While this well-written work will be of interest to fans of Woolf's work, it ultimately provides only a superficial literary analysis. Thus, it is more appropriate for general-interest collections than for academic libraries. Readers looking for an excellent, current biography should stick with Nigel Nicolson's Virginia Woolf. Paolina Taglienti, Long Island Univ., Brooklyn, NY
Copyright 2002 Cahners Business Information, Inc.
Review
[An] original and readable study. . . . The discussion focuses on the origins, development, and purpose of [Woolf's] writing. -- Choice
[G]ives us a thoughtful, nuanced picture of the connection between Woolf’s illness and her extraordinary artistic talent. -- Rebecca L. Stone, The Harvard Crimson
Most helpful customer reviews
0 of 11 people found the following review helpful.
not so good
By Yang
it wasted my money just to buy a book but other prices were high it wasnt something good to read
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